Participate


Member (TAS Card)

Joe Hasham OAM and Dato’ Faridah Merican found each other and gave birth to The Actors Studio Malaysia in 1989; since then the road has been filled with much joy, some sorrow and an eclectic mix of wishing, hoping and fulfilment.

Through necessity, the early years saw performances being staged in venues like the experimental theatre University Malaya, The Old Town Hall and Auditorium DBKL.

In fact anywhere they could hang a couple of lights and plonk in a set. For two people whose lives were totally consumed by the performing arts, this was a frustrating and unacceptable situation.

Sponsor

Joe Hasham OAM and Dato’ Faridah Merican found each other and gave birth to The Actors Studio Malaysia in 1989; since then the road has been filled with much joy, some sorrow and an eclectic mix of wishing, hoping and fulfilment.

Through necessity, the early years saw performances being staged in venues like the experimental theatre University Malaya, The Old Town Hall and Auditorium DBKL.

In fact anywhere they could hang a couple of lights and plonk in a set. For two people whose lives were totally consumed by the performing arts, this was a frustrating and unacceptable situation.

Volunteer

Joe Hasham OAM and Dato’ Faridah Merican found each other and gave birth to The Actors Studio Malaysia in 1989; since then the road has been filled with much joy, some sorrow and an eclectic mix of wishing, hoping and fulfilment.

Through necessity, the early years saw performances being staged in venues like the experimental theatre University Malaya, The Old Town Hall and Auditorium DBKL.

In fact anywhere they could hang a couple of lights and plonk in a set. For two people whose lives were totally consumed by the performing arts, this was a frustrating and unacceptable situation.

Auditions

Joe Hasham OAM and Dato’ Faridah Merican found each other and gave birth to The Actors Studio Malaysia in 1989; since then the road has been filled with much joy, some sorrow and an eclectic mix of wishing, hoping and fulfilment.

Through necessity, the early years saw performances being staged in venues like the experimental theatre University Malaya, The Old Town Hall and Auditorium DBKL.

In fact anywhere they could hang a couple of lights and plonk in a set. For two people whose lives were totally consumed by the performing arts, this was a frustrating and unacceptable situation.